What is curatorial practice and what does a contemporary art curator actually do? This concentrated series of lectures, discussions and workshops will provide three intensive days of training in the practice of curating a contemporary art exhibition. Prior to the class, students will be assigned several readings. Through lectures and hands-on workshops, they will learn the basis for conceptual and practical considerations necessary for the creation of a successful contemporary art exhibition. Instruction will include presentations by experienced professionals from New York and India. The class size is limited to 15 students. A certificate, jointly issued by ICI and the Mohile Parikh Center, will be provided to students who complete the class. This course has been co-produced with the Independent Curators International (ICI), New York, and the venue sponsor is Chatterjee & Lal, Mumbai.

What is curatorial practice and what does a contemporary art curator actually do? This concentrated series of lectures, discussions and workshops will provide three intensive days of training in the practice of curating a contemporary art exhibition. Prior to the class, students will be assigned several readings. Through lectures and hands-on workshops, they will learn the basis for conceptual and practical considerations necessary for the creation of a successful contemporary art exhibition. Instruction will include presentations by experienced professionals from New York and India. The class size is limited to 15 students. A certificate, jointly issued by ICI and the Mohile Parikh Center, will be provided to students who complete the class. This course has been co-produced with the Independent Curators International (ICI), New York, and the venue sponsor is Chatterjee & Lal, Mumbai.

What is curatorial practice and what does a contemporary art curator actually do? This concentrated series of lectures, discussions and workshops will provide three intensive days of training in the practice of curating a contemporary art exhibition. Prior to the class, students will be assigned several readings. Through lectures and hands-on workshops, they will learn the basis for conceptual and practical considerations necessary for the creation of a successful contemporary art exhibition. Instruction will include presentations by experienced professionals from New York and India. The class size is limited to 15 students. A certificate, jointly issued by ICI and the Mohile Parikh Center, will be provided to students who complete the class. This course has been co-produced with the Independent Curators International (ICI), New York, and the venue sponsor is Chatterjee & Lal, Mumbai.

This short course will be an introduction to philosophy of art as well as an exploration of the relationship between art and science – both historically and conceptually. There will be a set of readings which will be distributed before the sessions. Participants are expected to read them before the sessions.

This short course will be an introduction to philosophy of art as well as an exploration of the relationship between art and science – both historically and conceptually. There will be a set of readings which will be distributed before the sessions. Participants are expected to read them before the sessions.

This short course will be an introduction to philosophy of art as well as an exploration of the relationship between art and science – both historically and conceptually. There will be a set of readings which will be distributed before the sessions. Participants are expected to read them before the sessions.

Kavita Singh is currently Associate Professor at the School of Arts and Aesthetics, Jawaharlal Nehru University, New Delhi, where she teaches courses on the history of Indian painting and museum and curatorial studies. She has published on Sikh art, Indian folk and courtly painting and the history of museums in India.

Kavita Singh is currently Associate Professor at the School of Arts and Aesthetics, Jawaharlal Nehru University, New Delhi, where she teaches courses on the history of Indian painting and museum and curatorial studies. She has published on Sikh art, Indian folk and courtly painting and the history of museums in India.

The course would highlight the symbiotic act between reading/writing, between readers and writers, not to mention of the ways writers view themselves one another through their societal and individual prism.The basic thrust of the series would be on writers, the creative act, and the interventions of the reader. Also, a few theories that have effected a paradigm shift in approaching literature would be discussed.

The course would highlight the symbiotic act between reading/writing, between readers and writers, not to mention of the ways writers view themselves one another through their societal and individual prism.The basic thrust of the series would be on writers, the creative act, and the interventions of the reader. Also, a few theories that have effected a paradigm shift in approaching literature would be discussed.

The course would highlight the symbiotic act between reading/writing, between readers and writers, not to mention of the ways writers view themselves one another through their societal and individual prism.The basic thrust of the series would be on writers, the creative act, and the interventions of the reader. Also, a few theories that have effected a paradigm shift in approaching literature would be discussed.